Showing posts with label Drama. Show all posts

Beasts Of The Southern Wild, Benh Zeitlin (2012)

This Malick-inspired response to Hurricane Katrina, about a six-year-old bayou-dweller and her father, has ambition and poetry to burn. (Peter Bradshaw for The Guardian – 4 out of 5 stars)





Although Peter Bradshaw’s words on Beasts Of The Southern Wild are completely true, I could not help but feel a little divided. My expectations were quite high due to the amazing reviews and awards this film has received (4 awards at Cannes, for example) and, as you know, high expectations are hardly ever matched.
Hushpuppy is an incredible character, a little child that goes from the most charming smile to an expression so fierce it can bring ancient beasts to a halt. Quvenzhané Wallis performance seems so passionate and effortless that it will grab your attention from the first time you put your eyes on her.
In my humble opinion Beasts Of The Southern Wild is one of those cases of giving out too soon. The beginning is too promising for what comes next and Hushpuppy’s lyrical mind is not enough to make up for the lack of impact.
Despite these flaws it is still a good film that will give you plenty of images and beautiful thoughts to recall when life lacks poetry.

Of course there is a lot more to be said about Beasts Of The Southern Wild but I am a nobody so I am going to let you watch the film and make up your mind.



Posted in , , , | Leave a comment

John Krokidas talks about Kill Your Darlings (2013)





John Krokidas’ Kill Your Darlings is one of the most anticipated 2013 films premiering at Sundance Film Festival, what is about to happen in just a couple of days.
In the Meet The Artists series John Krokidas talks about his film. Watch below.

Posted in , , , , | Leave a comment

Holy Motors, Leos Carax (2012)









Holy Motors has been receiving far from consensual reviews. It made most of the best of 2012 lists but it also has received a considerable amount of lousy reviews.
One thing is for certain, if you are the kind of person who cannot stand being given countless questions but no answers, then you should stay away from it. On the other hand, I believe you should watch it, if for no other reason, at least to understand why it has been receiving such disparate reviews.

(From this point it may contain spoilers. Stop reading if you wish.)

Holy Motors is bizarre, deranged, maybe even nonsense but it is powerful and fearless. In this film the viewer follows Mr. Oscar through a one day journey in which he is driven by his trusted chauffeur who makes sure he arrives to his appointments on time and well prepared. On these appointments Mr. Oscar has to play different roles and that’s why his limo is filled with everything he needs: wigs, latex face masks, costumes and other accessories. Mr. Oscar plays beggar, criminal, a flower-munching mad elf who kidnaps a top-model, etc…
These appointments do not seem to be connected to each other and the reason why Mr. Oscar does this also remains unclear. Is Holy Motors a series of short films put together by a loose narrative? It is possible, I would say, but in the end that does not matter much. Leos Carax’s imaginative and even poetic freedom makes it last year’s event. No one stays indifferent and that is quite an accomplishment in itself.
What is real? What is fantasy? Nothing is crystal clear in Holy Motors. When you believe you are finally getting the whole picture suddenly you realise you were deceived once again. 

Posted in , , , , | Leave a comment

Moonrise Kingdom, Wes Anderson (2012)






















The film chosen to kick off the 65th edition of the Cannes Festival, Wes Anderson’s Moonrise Kingdom, takes place during the summer of 1965 on an island off the coast of New England named New Penzance. It all begins when, at a Khaki Scout camp, the disappearance of a Scout boy leads to a thoroughly search.

(From this point it may contain spoilers. Stop reading if you wish.)

At first, when Sam disappears from the camp, it is believed that the reason behind his departure is tied to his unpopularity within the group. But that is not the truth. Sam, a 12 year-old boy, leaves the camp to meet his pen pal and lover Suzy who is a forgotten daughter with self-control issues. The two carry on their adventure to follow the Old Chickshaw Harvest Migration Trail while every single soul in the village participates in the search.
Being so young and living on an island the young couple knows they cannot go far but they do not even think of giving up. Love is worth everything.
The plot is considerably odd and hardly plausible and yet it leaves the viewer with a bittersweet nostalgic mood. However, the highlights of this film are the immaculate and colourful settings, the almost imperceptible comedy hints and, last but not least, the young actors performances.
It is with no doubt one of this year’s events.


 

Posted in , , , , | Leave a comment

Black Swan, Darren Aronofsky (2010)





















Darren Aronofsky’s Black Swan revolves around a big production of Tchaikovsky’s Swan Lake. Nina Sayers (Natalie Portman) is a perfectionist ballet dancer who manages to get the main role in a prestigious company as the Swan Queen which demands being able to play the innocent White Swan as well as the passionate Black Swan. Although this was a most expected goal it soon becomes a heavy burden as pressure is at its peak.

(From this point it may contain spoilers. Stop reading if you wish)

Pressure comes from several directions. On one side there’s her mother who is a former ballet dancer who expects to live her own dream through her daughter’s role while on the other hand there’s Lily (Mila Kunis) who seems to be a perfect Black Swan and the company’s director who seems reluctant because he believes Nina will never loosen up. Because of all this pressure Nina starts to loose grip of reality as her twisted friendship with Lily leads to some sort of sexual tension and violence.
Another quite interesting aspect on this film is the exploration of the painful side of being a ballerina. What from the outside seems to be a gracious performance is in fact quite violent and physically demanding.
Do not expect it to be a light drama because it is not. It’s more of a dense psychological thriller with hints of sexual tension and hallucination.





Posted in , , , , | Leave a comment
Powered by Blogger.

Search

Swedish Greys - a WordPress theme from Nordic Themepark. Converted by LiteThemes.com.