Showing posts with label Literature. Show all posts

Review: On The Road, Jack Kerouac (1957)


















On The Road is a novel published in 1957 written by Jack Kerouac in which youth meets adult life’s restraints, a novel about travels, a novel about the relentless search for the meaning of life.
In a postwar America these young men in their early twenties refuse to go along with the ride, they are eager to make their own discoveries, their own revolution. And yet they end up founding themselves penniless and most of the times drunk. The insistent pounding of Bebop records echoing throughout.
The writing is fast, sometimes even lunatic. It gets your heart racing. You dream of freeing yourself from whatever is holding you up. But On The Road is not about dreaming, On The Road is a mad river of reckless activity.
Jack Kerouac is Sal Paradise. And it wall begins when he heads to San Francisco with 50 dollars in his pocket.
Neal Cassidy is Dean Moriarty. And that’s when the two meet that the adventure kicks off.
Along the way there is also Old Bull Lee (William Burroughs) and Carlo Marx (Allen Ginsberg). The four columns of the Beat Generation altogether.

However, Truman Capote said: “That’s not writing, that’s typing” and he may have a point. On The Road shines as a biographic narrative but it lacks the grandeur of the great novels of the 20th century.
If you are into the whole Beat Generation thing it is a must read. If not, well, it is up to you to read or not to read.

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Henry Miller (Quote On Death/Faith)


















"Why do we wear out so quickly, when the elements of which we are composed are indestructible? What is it that wears out? Not that of which we are made, that is certain. We wither and fade away, we perish, because the desire to live is extinguished. And why does this most potent flame die out? For lack of faith. From the time we are born we are told that we are mortal. From the time we are able to understand words we are taught that we must kill in order to survive. In season and out we are reminded that, no matter how intelligently, reasonably or wisely we live, we shall become sick and die. We are inoculated with the idea of death almost from birth. Is it any wonder that we die?"

Plexus, Henry Miller

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America, Allen Ginsberg


Allen Ginsberg himself reading his own poem America to Tom Waits music. Brilliant!

“Go fuck yourself with your atom bomb

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Virginia Woolf (25 January 1882 - 28 March 1941)



Virginia Woolf was born on January 25th 1882, 131 years ago.
On 28 March 1941, Woolf put on her overcoat, filled its pockets with stones, and walked into the River Ouse near her home and drowned herself (Panken, Shirley (1987). Virginia Woolf and the "Lust of Creation": A Psychoanalytic Exploration. SUNY Press. pp. 260–262.) leaving a letter to her husband, which you can read below. You can also watch The Hours opening scene which is based on the aforementioned letter.


Original letter:



Transcription:

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New Year's Eve, DH Lawrence (1917)




 
New Year’s Eve

There are only two things now,
The great black night scooped out
And this fire-glow.

This fire-glow, the core,
And we the two ripe pips
That are held in store.

Listen, the darkness rings
As it circulates round our fire.
Take off your things.

Your shoulders, your bruised throat!
Your breasts, your nakedness!
This fiery coat!

As the darkness flickers and dips,
As the firelight falls and leaps
From your feet to your lips!

By D.H. Lawrence

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O Captain My Captain, Walt Whitman


















O Captain! My captain! is a poem by the American poet Walt Whitman. Walt Whitman wrote this poem in homage to Abraham Lincoln after he has been murderer in 1865.
In the film Dead Poets Society the English teacher John Keating (played by Robin Williams) encourages his students to call him “O Captain! My captain!” in an obvious reference to this very poem.
A regular topic in Walt Whitman’s poems is the American Civil War and having that in mind it makes complete sense that the first line is a reference to the end of it. The goal may have been reached (the end of the Civil war and the end of slavery) but many men lost their lives and for that the American hearts still ache.
The poem swings between a joyful mood since Whitman was a great admirer of Abraham Lincoln ideals and a mournful mood even though Whitman seems unwilling to accept his death.


O Captain! My Captain (Walt Whitman)

O Captain! my Captain! our fearful trip is done;
The ship has weather'd every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.


O Captain! my Captain! rise up and hear the bells;
Rise up--for you the flag is flung--for you the bugle trills;
For you bouquets and ribbon'd wreaths--for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck,
You've fallen cold and dead.


My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor'd safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead. 

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Darkness, Lord Byron



This poem is public domain so use and abuse!


Darkness (by Lord Byron)

I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress—he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
   For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects—saw, and shriek'd, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them—She was the Universe.

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Collaboration: To Jeff (Poem+Illustration)



This one should’ve been posted yesterday because it was somehow inspired by Jeff Buckley.  It features a poem of my own and a specifically done illustration by Pedro Rodrigues named Drown.
I believe it’s worth the delay but feel free to leave any feedback. Enjoy!



To Jeff

Your ashes by the sea bathing your lover’s naked feet.
I saw her – standing in grief – rattling hands and disbelief,
The waving waters dictating the mournful rhythm
As the sober grey skies hid the last living light.
Her knees are now sunk in the sand
And her once immaculate nightgown
Immerses in an ocean of despair.

You, white boy, departed this life too soon
You, white boy, abandoned your lover too soon.
A beautiful stranger in this world
A tormented soul roaming forever blind
Singing grace of long gone lullabies.
Let her lay her head on your hip
Such love must be buried deep.

by Hugo Pereira




by Pedro Rodrigues

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