Showing posts with label Novel. Show all posts

Review: On The Road, Jack Kerouac (1957)


















On The Road is a novel published in 1957 written by Jack Kerouac in which youth meets adult life’s restraints, a novel about travels, a novel about the relentless search for the meaning of life.
In a postwar America these young men in their early twenties refuse to go along with the ride, they are eager to make their own discoveries, their own revolution. And yet they end up founding themselves penniless and most of the times drunk. The insistent pounding of Bebop records echoing throughout.
The writing is fast, sometimes even lunatic. It gets your heart racing. You dream of freeing yourself from whatever is holding you up. But On The Road is not about dreaming, On The Road is a mad river of reckless activity.
Jack Kerouac is Sal Paradise. And it wall begins when he heads to San Francisco with 50 dollars in his pocket.
Neal Cassidy is Dean Moriarty. And that’s when the two meet that the adventure kicks off.
Along the way there is also Old Bull Lee (William Burroughs) and Carlo Marx (Allen Ginsberg). The four columns of the Beat Generation altogether.

However, Truman Capote said: “That’s not writing, that’s typing” and he may have a point. On The Road shines as a biographic narrative but it lacks the grandeur of the great novels of the 20th century.
If you are into the whole Beat Generation thing it is a must read. If not, well, it is up to you to read or not to read.

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Henry Miller (Quote On Death/Faith)


















"Why do we wear out so quickly, when the elements of which we are composed are indestructible? What is it that wears out? Not that of which we are made, that is certain. We wither and fade away, we perish, because the desire to live is extinguished. And why does this most potent flame die out? For lack of faith. From the time we are born we are told that we are mortal. From the time we are able to understand words we are taught that we must kill in order to survive. In season and out we are reminded that, no matter how intelligently, reasonably or wisely we live, we shall become sick and die. We are inoculated with the idea of death almost from birth. Is it any wonder that we die?"

Plexus, Henry Miller

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Não é meia noite quem quer, António Lobo Antunes (2012)





After not even a week since I started this project I decided that I needed to change things a little. First of all I will start off a new section named News. In this section I will try to post updated information about films, books or magazines coming out. More than that, this section will have, as the main target, the Portuguese readers. However, I’ll keep posting in English. Maybe you’re an English speaking reader and for some reason you’re living in Portugal or just visiting our country.

Yesterday I posted about Granta’s Portuguese edition. Today it is about the new novel by António Lobo Antunes, Não é meia noite quem quer. It is said to be his most biographic work untill now and it was released this month. Until Sunday, the literary festival Escritaria, in Penafiel, will pay homage to him.

For the ones who don't know anything about António Lobo Antunes I might add that is style is said to be heavily influenced by William Faulkner. He has won several awards all over Europe. Right here you can read a review on his Doctor and Pacient 


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Sexus, Henry Miller (1949)























 To refer to Henry Miller’s oeuvre as erotic literature is a severe misconception. End of discussion.
Sexus, the first volume of his The Rosy Crucifixion trilogy, is an ode to life. Miller ingeniously shifts from the most ordinary side of life to the most poetic and passionate statement. A big part of what you can read here is autobiographic and that’s why you can feel the power of every single word of his. He may have been an incorrigible bohemian but he was authentic. The story of his hedonist pursue for antidotes to a monotonous life was originally published in Paris, where he was living at the time, during the year 1949 but got censored in the USA and Great Britain for nearly twenty years. This first volume deals with his marriage with Maude during the 20’s when he was still in the USA. Later he gets obsessed with the mysterious and promiscuous Mara. In between the autobiographic episodes Miller addresses a bunch of philosophical issues, such as love and happiness with an unusual acumen.

It’s Sunday so stop whatever you’re doing and give in to the useless art.

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